Valentino show during Paris Fashion Week

On Sunday, March 5, Florence Pugh attended the Valentino Womenswear Fall Winter 2023-2024 show as part of Paris Fashion Week in Paris, France. She joined and posed with Guan Xiaotong, Simona Caggia, Priyanka Chopra, Nick Jonas and Deborah Mackin. Check out photos below:

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MARCH 5 | VALENTINO WOMENSWEAR FALL WINTER 2023-2024 SHOW DURING PARIS FASHION WEEK IN PARIS, FRANCE | OUTSIDE ARRIVALS

MARCH 5 | VALENTINO WOMENSWEAR FALL WINTER 2023-2024 SHOW DURING PARIS FASHION WEEK IN PARIS, FRANCE | ARRIVALS

MARCH 5 | VALENTINO WOMENSWEAR FALL WINTER 2023-2024 SHOW DURING PARIS FASHION WEEK IN PARIS, FRANCE | FRONT ROW

VALENTINO FASHION SHOW DURING PARIS FASHION WEEK | GERMAN LARKIN

 

‘A Good Person’ feature on Total Film Magazine

Florence and her upcoming film ‘A Good Person‘ are both featured on Total Film magazine March issue. Scans have been added to the gallery.

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2023 > TOTAL FILM MAGAZINE | MARCH

‘A Good Person’ Stills

I’ve added brand new production stills of Florence Pugh‘s upcoming movie ‘A Good Person‘ to the gallery. Enjoy

Follows Allison, whose life falls apart following her involvement in a fatal accident.

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MOVIE PRODUCTIONS > 2023 | A GOOD PERSON > PRODUCTION STILLS

EE BAFTA Film Awards 2023

On Sunday, February 19, Florence Pugh attended the EE BAFTA Film Awards 2023 that held place at The Royal Festival Hall in London, England. Florence’s latest film ‘The Wonder’ was nominated for Outstanding British Film but unfortunately, didn’t take the award home.

Later that night, Florence headed to two after parties British Vogue And Tiffany & Co and Netflix’s annual BAFTA Awards. Check out photos and videos below:

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2023 > FEBRUARY 19 | EE BAFTA FILM AWARDS 2023 IN LONDON, ENGLAND | ATTENDING

2023 > FEBRUARY 19 | EE BAFTA FILM AWARDS 2023 IN LONDON, ENGLAND | ARRIVALS

2023 > FEBRUARY 19 | EE BAFTA FILM AWARDS 2023 IN LONDON, ENGLAND | AUDIENCE

2023 > FEBRUARY 19 | BRITISH VOGUE AND TIFFANY & CO. CELEBRATE FASHION AND FILM PARTY 2023 IN LONDON, ENGLAND

2023 > FEBRUARY 19 | NETFLIX’S ANNUAL BAFTA AWARDS AFTER PARTY IN LONDON, ENGLAND

Harris Reed Fashion Show

On Thursday, February 16, Florence Pugh attended the Harris Reed fashion show at the Tate Modern in London, England.

Florence had a great time joined by Sara El Adl, Maryan Osman, Harris Reed, Lisa Rinna, Jimai Hoth, Joakim Gjemmestad, Ajok Madel, Jodie Turner-Smith. Check out photos below:

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2023 > FEBRUARY 16 | HARRIS REED SHOW IN LONDON, ENGLAND

Florence covers Vanity Fair’s Hollywood Issue

Florence Pugh is featured on the cover of Vanity Fair’s Hollywood Issue. The cover also features stars Selena Gomez, Ana de Armas, Jonathan Majors, Keke Palmer, Aaron Taylor-Johnson, Julia Garner, Regé-Jean Page, Emma Corrin, Hoyeon and Jeremy Allen White. Interview, photos and video showing off her contortionist skills, can be found below:

Florence Pugh is coming off of her biggest year yet. The actor, who appears on our 2023 Hollywood cover, toplined the erotic thriller Don’t Worry Darling to a number one bow at the box office, earned raves for her starring role in Netflix’s period mystery The Wonder, and filmed both Oppenheimer and Dune: Part Two—among the most anticipated releases of 2023. So yeah, her next 12 months are looking pretty good too. And Pugh will have a new Marvel movie, Thunderbolts, out in 2024.

It’s been an astronomical rise for the English actor, who tells Vanity Fair she knew she wanted to be an actor since she was a kid. She’s since navigated celebrity with the kind of warmth and wit that characterizes a true rising star. With overnight fame—and the rare controversy, which Pugh will never grant much attention—comes new lessons about how to approach everything from social media to career choices. Excerpts from a conversation about life and work.

Vanity Fair: You’ve had a huge year. How far ahead do you try to strategize?

Florence Pugh: Working with Marvel has helped hugely. Their schedule is so precise—they know when they’re going to make it, when they’re going to release it. What that means is if you want to fill your time with other things, you have to do it amongst that. You’re able to have a lot more leeway: “Oh, I’m going to be away doing this for this certain amount of time, so I need to make sure that I can get in a little indie here, or do a play.” So that’s what I’m trying to do now. With this year, I went into the year willing it to make its own thing, and didn’t have any projects specifically lined up—like, hopefully there would be one special big thing or one special little thing. And lo and behold, I got Oppenheimer and then I got Dune. That all started making its image of the year within the first four months or so.

With Dune, I’m curious about working with other actors of your generation who are of a similar profile. Did you find certain elements of commonality or shared experience?

It’s actually an interesting point because for the majority of my career I’ve worked with lots of older actors that I’ve had to pinch myself for working with. I’ve learnt a lot just by watching. To do Dune with those specific actors at the front, like Timmy [Chalamet] and Zendaya and Austin [Butler]—they are remarkable people, number one, and unbelievable actors, number two. They’re stars in their own ways, not in the cliché way of using the word. They’re just—they’re sparkly people. I’m now lucky enough to call them all my friends, which is super exciting. For me to be able to work with the “young Hollywood” of the moment, and them being beautiful people, and then have them on my phone when I want to text them—to see that that’s the direction in which our industry is going is such a wonderful feeling.

Your Instagram is one of the most beloved, I would say, in the industry. How did your use of social media evolve last year, as you were put under a microscope like never before?

The more follows you get, the more aware you are of what it is that you’re saying. Not that I say a lot of bad stuff, but not everybody understands who you are when they start following you. I noticed this with Little Women. I suddenly got all of these followers when the movie came out, and prior to that, I’d been my own person on Instagram, doing my own stupid videos, and everybody that had been following me for how many years understood that. Then you get this new wave of people coming in who don’t like the way that you are—suddenly you’re not just owning an account for yourself, you’re owning an account for millions of people.

You have to say the right thing, you have to post the right thing, you have to be all of the above. It does become more of a stress than it used to be. If my head and heart are hurting for no other reason other than just anxiety, I take it off my phone from the moment I can feel that anxiety. I don’t need to be reading all of that stuff, and I don’t need to be egging myself on to read it either. My relationship with social media has become more understanding of when it helps me and when it doesn’t—being okay to just take it off for a few days, or a week, or a month.

It brings the media frenzy around Don’t Worry Darling to mind. How much did you observe people picking apart everything you said or didn’t say, posted or didn’t post? How did you take that?

Ideally I don’t really want to be going down the Don’t Worry Darling conversation because this whole release for The Wonder has been so positive and I’ve been really excited to talk about that. I don’t really feel the need to go into the nitty-gritty details of Don’t Worry Darling. So if it’s okay, I’ll probably just let that one sit.

In Hollywood, for a long time being a role model meant appearing flawless, and that has changed into the appearance of something more human. Does that ever feel like a burden?

No, I love it, I love it. When I started out, my granddad would always tell me off and be like, “Why are you showing everyone your ugly spots?” He’d be really confused as to why I’d show my cellulite. My answer was like, “Well, I’d much rather do it than they do it, and then I feel ashamed.” There’s no pretending with me. When I put on makeup and step in a wonderful dress, I give credit to the people that made me look like that, and I also want my fans to know that (a) I don’t look like that all the time and (b) I also have stress acne, and I also have hairy eyebrows, and I also have greasy hair. I’ve always thought that was a way better way to do it. Just be honest and open—then no one has to call you out for anything. You are who you are.

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2023 > VANITY FAIR’S HOLLYWOOD ISSUE | FEBRUARY

2023 > VANITY FAIR’S HOLLYWOOD ISSUE | STEVEN KLEIN

 

The 43rd London Critics’ Circle Film Awards

Florence Pugh attended the 43rd London Critics’ Circle Film Awards 2023 at The Mayfair Hotel on Sunday, February 05, 2023 in London, England. Florence was handed the British/Irish Actress Of The Year prize for her body work on her latest films ‘Don’t Worry Darling’, ‘Puss in Boots: The Last Wish’, ‘The Wonder’.

The actress opted for an eye-catching look for the event, donning a red strapless dress with a pleated detail along the waist. Check out our gallery for photos of the event along with some videos:

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2023 > THE 43RD LONDON CRITICS’ CIRCLE FILM AWARDS IN LONDON, ENGLAND | VIP ARRIVALS | FEBRUARY 5

2023 > THE 43RD LONDON CRITICS’ CIRCLE FILM AWARDS IN LONDON, ENGLAND | DRINKS RECEPTION | FEBRUARY 5

2023 > THE 43RD LONDON CRITICS’ CIRCLE FILM AWARDS IN LONDON, ENGLAND | INSIDE CEREMONY | FEBRUARY 5

2023 > THE 43RD LONDON CRITICS’ CIRCLE FILM AWARDS IN LONDON, ENGLAND | WINNERS ROOM | FEBRUARY 5

‘The Wonder’ and ‘Puss in Boots The Last Wish’ nominated for 2023 BAFTA Film Awards

Florence Pugh‘s latest films ‘The Wonder’ and ‘Puss in Boots The Last Wish‘ have been nominated for 2023 EE BAFTA Film Awards, celebrating the very best in film of the past year,

The Wonder‘ is nominated for Outstanding British Film and ‘Puss in Boots The Last Wish‘ is nominated for Animated Film.

The EE BAFTA Film Awards will take place on Sunday 19 February and will be broadcast at 7pm on BBC One & BBC iPlayer in the UK and around the world. Good luck to both films.

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